NOT A BAD WORD

 We've had a month off our Not A Bad Word poetry event and now we're raring to go with a completely new and original bunch of poets and performers.  Tues 22nd Sept 2026 is going to be full of comedy, so make sure you don't miss it. 

That said, I must tell you about the radiologist who administered my MRI scan today (never fear, nothing life-threatening) at the North Middlesex Hospital.  She was Portuguese, and somehow our conversation turned to poetry (quelle surprise eh?).  And then, she recited to me in clear and musical Portuguese, a Portuguese poem by an apparently famous Portuguese poet. I didn't understand a word of course, but I could hear the passion and the music. So of course I had to dig out from my rucksack my latest poetry collection - Catching the Breeze and she started  (this was in the MRI room before I was laid out for the procedure) to read the title poem.  So of course, I had to take it from her and read it out to her, in true performance-poet style.  She was (dare I say it modestly) entranced and may even turn up at our event next Tuesday.

Gosh, I must tell you about that MRI. I had to take out my hearing aids, which meant they then had to use sign language to tell me what to do - and speak slowly and clearly to my face so I could understand.  I was lying on my back, a prisoner being slid into a full-body, great big ring thing with my head pinioned with large headphones and hearing blockers.  I could still hear the bloody noises that damn machine makes, though: the whirring and knocking and banging,  in spite of it all. 

But there's a new innovation since the last time I had an MRI years ago.  Above my head in my eye line was a moving video of a coral reef and all its glorious multicoloured fishes in an ocean scene plus dolphins and turtles.  I was at once transported (in memory) back in time to a few years ago in Cape Town, when I took a trip out from the Waterfront on a large white catamaran and for part of our two hour trip we were followed by a school of dolphons, diving and playing around us - what magic. 

I was entranced and distracted for a while by this colourful scene ... except the film was on a ten-minute loop and by the time I was watching it for the third time, my attention was wavering a little.  I was lying there for 30 minutes, apparently. 

Anyway, I digress somewhat from this reminder that after a month off in August, NOT A BAD WORD is returning next Tuesday, 22nd September, to our new venue, which we're now settling well into - Jam in a Jar, Green Lanes, N8, run by two music and the arts enthusiasts - Ant and Naz.  You'll find Jam in a Jar at 3 stops on the 29 bus down from Turnpike Lane tube station - a 10-minute bus ride from  Crouch End on the 41 bus.  My becoming-long-term-temporary co-host, Christine Vial, will host one half, and I'll host the other.  And we have a really different and interesting line-up this time  - from our own regular haiku-loving comic poet Alan Wolfson (who also used to run a poetry event in Crouch End),  to two new faces -  new to Not a Bad Word, but not new to North London -  the very tall, 6 foot 6", Andy James - actor, poet and now stand-up comic, who actually started up a few years ago- the well known blues and rock venue Moors Bar, in Park Rd, Crouch End , sadly missed.  And the other guy is an Irishman - Brian Kelly, who also runs a poetry event which runs regularly at the All Good Bookshop in Turnpike Lane called Insurgent Press.

I hope to see you all there at Not a Bad Word next Tuesday for a fun evening.




Author scam time

 This morning I opened an email from a Ms Viola Clark who told me she was on the 'Executive Committee of The European Book Club.'  A page long email followed, extolling the virtues of my book A Hippopotamus at the Table, which is my memoir set in South Africa 1975-1977 a time of full on apartheid, when me, my husband and young baby were living there. 

Ms Viola Clark calls this offer, 'Our Author Spotlight Session, where they 'explore personal narrative within historical contexts, the ethics of witnessing, and the craft of transforming lived experience into compelling memoir''

She goes on to say 'We would be honored (American spelling - all the way through - European Book Club?) to feature you in an upcoming spotlight session centered on A Hippopotamus at the Table...."  blah blah  '' reflecting on life during apartheid would deeply resonate with our audience.... 


A Hippopotamus at the Table: My true story of life in South Africa at a time of apartheid 1975-78 

A Hippopotamus at the Table, by Anna Meryt

'To support production, moderation, and international outreach, there is a small organizational fee associated with participation.  We are transparent about this and would be pleased to share full details if this aligns with your current plans.'

All this sounds great - an opportunity to give my book some much needed extra publicity.

So why I thought am I feeling suspicious?  I read it over several times and noted several things - the too clever wording 'lived experience into compelling memoir', for example.  I've used AI quite a lot - I often use ChatGpt for writing official letters to public bodies and sometimes get it to write closing paragraphs of various other written pieces. So I recognised AI speak.  It was all very flattering.  A bit too flattering, I thought - how had they come across my book among the many out there, read it (?), analysed it and now wanted to do a widespread publicity campaign.  Everything they said was accurate about my book, but usually if you want to get on the publicity lists of  say libraries, book clubs, research and lots of letter writing is necessary.  

I decided to look around and almost the first thing I came across in my email inbox was an article by James Blatch - who's an author closely allied with Mark Dawson - a Brit from Southampton, who's one of the biggest top 100 Indie author crime fiction writers on Amazon. I like James Blatch's no nonsense approach to writing and determination to give a down-to-earth view and lots of information in his articles. The title of James's article?  'Author Book Club Scams.'  Ah! I thought.  Sure enough, it was all about the latest way these scammers are targeting huge numbers of authors and James reckoned that if even 5% get sucked in and they send out thousands of these emails every day, they'd make a fortune.  James is setting up a counter scam, using AI to respond to AI.  He reckons that most authors who do get sucked in will be too embarrassed to admit to it.

So I decided to write back an innocent-sounding email enquiring about the 'small organizational fee'.  I received a reply within hours - it said, 'the fee for the Author Spotlight feature is $100.  This covers the editorial feature of your book, promotion to our reader network, and social media exposure through The European Book Club.' 'The purpose of the fee is blah blah... some rubbish ... so it reaches an engaged audience of readers.'

I've just written back again -  

'Thanks so much, that sounds fantastic.  Can you please tell me the size of your reader network?'

I wonder how long I can string them along?  :). 

Watch this space. 




My Poems from Not A Bad Word 21/10/25

 Waiting

I’m the new dawn, waiting to rise

I’m the truth, piercing the lies


I’m a church bell, waiting to ring

I’m a soloist, waiting to sing


I’m a plant, waiting to bud

I’m a lotus, grown from the mud


I’m a door waiting to open

I’m a life spent always hoping


I’m a rainbow crossing the sky

I’m a seeker, asking why


I’m locked up waiting to be free

I’m a dream of liberty


I’m the light in a darkened room

I’m the sunlight piercing the gloom

 

I’m a heart, waiting to break

I’m the moon’s reflection on a lake


I’m a painting, waiting to be hung

I’m old, wishing I was young


I’m a branch, waiting for the lark

I’m stars in the sky, waiting for the dark


I’m two lovers, who’ve never met

I’m the sun waiting to set.

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>



le poisson dans la roche

Un million d'années ont passes.

Un squelette fossile

a laissé un écho.

 

Que s'est-il passé ?

Elle a nagé, pondu ses œufs,

 respiré par ses branchies,

 battu de la queue.

 

Et un jour, elle s'est allongée

 dans le sable.

Son corps était enveloppé,

absorbé, une empreinte,

un schéma de sa vie

s'est créé.

 

Et le temps a passé…

  

the fish in the rock

 

A million years have passed.

A fossil skeleton

has left an echo.

 

What happened?

She swam,

she laid her eggs,

she breathed through her gills

she flapped her tail

 

until one day she lay down

in the sand,

her body was enveloped,

absorbed, an imprint.                            

a pattern of her life

was created

 

and time passed...

 

Anna Meryt

In Collioure Oct 2025

 


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